cavetocanvas:

George Stubbs, Pangloss, c. 1762
From the Indianapolis Museum of Art:

In its faithfulness to nature and keen grasp of anatomical structure, Rufus is one of George Stubbs’s finest horse portraits. Largely self-taught, the artist’s ability to depict the natural world owed a great deal to his study of anatomy, which included detailed dissections of horses.
Although it was Stubbs’s practice to paint his horses first and then complete the surrounding landscape in his studio, the plain background in this painting was surely intentional. The neutral background focuses attention on the beautifully precise drawing and the fine texture of the horse’s coat.

cavetocanvas:

George Stubbs, Pangloss, c. 1762

From the Indianapolis Museum of Art:

In its faithfulness to nature and keen grasp of anatomical structure, Rufus is one of George Stubbs’s finest horse portraits. Largely self-taught, the artist’s ability to depict the natural world owed a great deal to his study of anatomy, which included detailed dissections of horses.

Although it was Stubbs’s practice to paint his horses first and then complete the surrounding landscape in his studio, the plain background in this painting was surely intentional. The neutral background focuses attention on the beautifully precise drawing and the fine texture of the horse’s coat.

"There must be those among whom we can sit down and weep and still be counted as warriors."

Adrienne Rich (via larmoyante)

9th:

[A-Poc Making: Issey Miyake and Dai Fujiwara, (2001)]

9th:

[A-Poc Making: Issey Miyake and Dai Fujiwara, (2001)]

(Source: organization, via kingslayer-)

cotonblanc:

Paris Capitale, November 2000

cotonblanc:

Paris Capitale, November 2000

kvetchlandia:

Robert Rauschenberg      Yoicks      1953

kvetchlandia:

Robert Rauschenberg      Yoicks      1953

(via yama-bato)


Untitled (You are not yourself), Barbara Kruger, 1982

Untitled (You are not yourself), Barbara Kruger, 1982

(Source: organization, via hoanbee)

signorformica:

Inferno Canto 34. Coppo di Marcovaldo, circa 1301

signorformica:

Inferno Canto 34. Coppo di Marcovaldo, circa 1301

(via panoramicchrestomathy)

(Source: likeafieldmouse)


Bruce Nauman,  De la main à la bouche, 1967

Bruce Nauman,  De la main à la bouche, 1967

(Source: juju-be-art, via hoanbee)

dancehistory:

Dairakudakan, 1982American Dance Fesitval

dancehistory:

Dairakudakan, 1982
American Dance Fesitval

cavetocanvas:

Jusepe de Ribera, St. Paul the Hermit, 1647

cavetocanvas:

Jusepe de Ribera, St. Paul the Hermit, 1647

limilee:

Yellow Dahlia by Lena Wolff
Courtesy of Kala Art Institute, Berkeley, CA

limilee:

Yellow Dahlia by Lena Wolff

Courtesy of Kala Art Institute, Berkeley, CA

(via sawthisthoughtofyou)


Jurgi Persoons Spring 1998 by Ronald Stoops

Jurgi Persoons Spring 1998 by Ronald Stoops

(Source: saloandseverine, via frangenoire)

"What if I told you I’m incapable of tolerating my own heart?"

Virginia Woolf, from Night and Day (Duckworth, 1919)

(Source: seabois, via yawnyatheapocalypse)

museumuesum:

Edward Burtynsky

Oxford Tire Pile #9ab, Westley, California, USA, 1999

Two color coupler (chromogenic) prints, 40 x 50 inches each